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SDG
When peace, like a river, attendeth my way. It is well with my soul. 't zij vreugde mijn deel is, (Joh. de Heer 264)
SDG
1:01 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
 
The Angel Gabriel, Basque Carol, Arrangement: Gertim (SDG)
SDG
1:08 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 4 100%
Tenor/Bass Bass 12 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 4 100%
Tenor/Bass Bass 12 0 1 4 100%
 
Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.
SDG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
Altviool 20 0 7 4 100%
Bariton Bass 20 0 7 6 100%
Continuo Bass 9 0 2 4 100%
Contrabass Bass 10 0 2 4 100%
 
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
154. Ach Herr, lass dein lieb' Engelein, Joh. Passion (J.S. Bach, BWV 245.40).
SDG
1:39 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
 
162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.
SDG
1:00 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
 
25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)
SDG
1:54 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
 
Turn your eyes upon Jesus.
SDG
1:13 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
 
Luidt, klokje(s), klingelingeling, kerstlied SATB, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim (SDG)
SDG
1:56 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 5 100%
Contrabass Bass 9 0 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 5 100%
Contrabass Bass 9 0 1 6 100%
Flute Treble 9 0 1 6 100%
Soprano/Alto Treble 9 0 1 6 100%
Tenor/Bass Bass 16 0 2 6 100%
 
O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)
SDG
1:17 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 9 0 1 5 94%
T B Bass 12 0 1 5 94%